My rating: 5 of 5 stars
The story “MalKai’s Last Seduction” is an erotic tone poem that celebrates black queer love. The set up is deceptively simple. MalKai is a visiting alien who is gathering “human nectar”–a substance derived from orgasms. MalKai belongs to a race of moth-like beings, but is able to appear as human. His species communicates via movement, rather than words. MalKai meets Cori, a closeted black gay man, and seduces him.
Cori had no way of imagining a velvet people who spoke through balletic motions and muscle spasms, arced arms and bent necks. A nation that consisted of beings who were physically similar to humans but biologically distinct. A people who thrived on human nectar.
The bulk of the story is told through the alien’s eyes. But there is a point of view shift, when we understand the transcendence and healing that Cori feels through the encounter:
Cori’s entire life, it could be argued, was an attempt to avoid any event such as this one. For years, he discretely avoided eye contact with men who wore their privacy in public like an expensive coat of chinchilla.
Both creatures, human and alien, experience a hallicination-ridden orgasm that acts as an exorcism for Cori.
He couldn’t remember his closet…
He is freed by the sexual act. It is liberating. Salaam drenches the story in sensory overload, with sentences that sing.
Kiini Ibura Salaam finds the balance between visionary poetics and science fiction in this tale and others.