My interview with the critically-lauded author Sam J. Miller is now up at the Washington Independent Review of Books. Sam and I talk about his books The Art of Starving, Blackfish City and his short fiction.
My interview with the multi award-winning literary horror writer Victor LaValle is now posted at the Washington Independent Review of Books.
I’m particularly proud of this one–I am a fan of LaValle’s work.
My interview with Theodora Goss, author of The Strange Case of the Alchemist’s Daughter, is now up at the Washington Independent Review of Books.
At first glance, Theodora Goss’ debut novel, The Strange Case of the Alchemist’s Daughter, is a mash-up genre novel in the vein of the TV show “Penny Dreadful” or the graphic novel The League of Extraordinary Gentlemen. The cast Goss works with includes cameos from iconic characters from classic gothic fiction and the mystery plot concerns the gruesome murders of women in the backstreets of London.
However, The Strange Case of the Alchemist’s Daughter is multi-layered and much more subversive than the “elevator pitch” blurb might lead one to believe.
Read the rest here!
Gil Roth, who produces the book-centric podcast Virtual Memories, asked me to contribute to his year’s end podcast. I appear with a bunch of other distinguished guests,* discussing the favorite book that I read in 2013.
*Charles Blackstone, Lisa Borders, Scott Edelman, Drew Friedman, Kipp Friedman, Ed Hermance, Nancy Hightower, Jonathan Hyman, Maxim Jakubowski, Ben Katchor, Ian Kelley, Roger Langridge, Philip Lopate, Hooman Majd, Zach Martin, Ron Rosenbaum, David Rothenberg, Willard Spiegelman, Peter Trachtenberg, Wallis Wilde-Menozzi, and Matt Wuerker.
Gil Roth of the Virtual Memories podcast interviewed me about Bereft, YA fiction, and other things. The podcast also features Ed Hermance, the owner of Giovanni’s Room, the bookstore where I will be reading next Saturday! Thanks to Gil for inviting to appear on the show!
Gavin Atlas interviewed me about Bereft and my other fiction for the blog Out In Print. Here’s a sneak peek:
GA: Because of the focus on angel statues and masks in Bereft, may I ask what do you have on the walls of your room? How does the art or design in your space affect your mood and your writing, if at all?
CLG: In my writing room, which doubles as a bedroom, there are a few framed posters. Two are by the surrealist artist Leonora Carrington and one by Max Ernst. Above my bed, a painting of a cobalt blue woman’s mask stares out above me. A row of glass paperweights sits on my chest of drawers. I must create in a sanctuary of sorts, I find. I turn on music when I’m writing—both the visual and aural art help submerse me into my fictional worlds. I also have to pick the right font to write my stories in!
I had the pleasure of being interviewed by the Hathor Legacy byMaria Velazquez. You can read the interview I did here. Also, read the rest of site–HL covers genre fiction through the filters of feminism and race theory.