I spent the last Thursday to Tuesday in the Bay Area for the The 2nd Outer Dark Symposium on the Greater Weird and for a quick vacation in San Francisco. The Symposium was held at the Winchester Mystery House. Thanks to the Outer Dark for hosting another stellar conference, particularly Anya Martin, who tirelessly organized the event.
Below are some photographs.
Butcher’s Block (director Arkasha Stevenson), the third installment of SYFY Channel’s anthology mini-series CHANNEL ZERO (based on the creepypasta urban legends), was the most disturbing one yet. It was uneven in many ways, but visually arresting and ambitious.
Alice (Olivia Luccardi) and her schizophrenic sister Zoe (Holland Roden) move to an unnamed rundown city, where Alice takes a job as a social worker. Her first case is in an especially impoverished neighborhood called Butcher’s Block, a graffiti-filled area surrounded by a defunct meat packing warehouse and an overgrown park. The area, a is known for strange after-dark phenomena (in the form of marble staircases that lead nowhere), mysterious disappearances and poor, if not outright corrupt police activity. Alice’s first day shadowing an older Child Protective Services officer in Butcher’s Block ends in the apparently violent abduction of her clients—a mother and a child. Meanwhile, Zoe has a hard time adjusting to her drug regimen. Through her eyes, we see the whole story of the sisters; they both left a broken home, due to their mother’s severe mental illness, which Zoe has inherited. Both sisters discover the awful secret at the center of the park—that the people of Butcher’s Block are prey to the sinister, cannibalistic Peach clan who once owned the abandoned meat packing company.
Butcher’s Block weaves together several thematic disparate strands–about family ties, heredity. It has deliberately complex characters, some of whom have hidden depths and grow (or regress) in the course of the show. Best of all, it is delightfully weird and extremely unsettling. Cannibalism and self-mutilation are only the tip of the iceberg in this show. I loved the different mixtures of horror on display. There’s Lynchian dark surrealism, a nod to Dario Argento lurid aesthetic, and a dash of cosmic horror. By no means is Butcher’s Block perfect. There are times when it slips into “the stupid plot,” and the mood whiplash is severe. But it’s an admirable entry into what I’d call “arthouse horror,” and besides, it passes the Bedchel test with flying colors.
Here’s the TOC:
Cover by Mark Bode
African American Folklore, Magical Realism and Horror in Toni Morrison’s Novels by Sumiko Saulson
Mining Dark Latino Folklore by David Bowles
Hard As Stone – Daniel Braum
Art by Dave Felton
Black Treacle by Craig L. Gidney
Art by Liv Rainey-Smith
The Lake Children by Izzy Lee
Art by Sumiko Saulson
Worm of Poe by John Foster
Art by Liv Rainey-Smith
The Baby in the Forest by Eric Schaller
Art by Paul Mavrides
The Last Plague Doctor by Rebecca J. Allred
Art by Jeanne Maskmaker
Available exclusively to attending and supporting members: https://igg.me/at/theouterdark2018
(Tickets and supporting membership are still available!)
My mother, Willa Broome Gidney, died on December 10. The funeral service is this Saturday. I am in mourning and expect to be for a while. But I will share the long-form obituary I co-wrote with my older brother.
Obituary for Willa Broome Gidney
January 29, 1931 – December 10, 2017
Willa (“Billie”) Mae Broome Gidney was born on January 29, 1931 in Gastonia, North Carolina to James Laurance Broome, a stone mason, and Stella Segines Broome, a seamstress. She was the youngest child of that marriage, which included her siblings Stella Constance Broome Fuller, Donald Broome , James Broome Jr., and Bettye Broome Poe.
Her mother, Stella Segines, died when Billie was ten years of age, and that tragic event briefly separated the family as her widowed father looked for steady work in the North. Willa was taken in and raised by Mrs. Rosie B. Thompson and her husband from ages 11-17. During this time, she excelled academically, in spite of the challenges of being separated from her family. Willa moved to Philadelphia, PA along with the rest of her family when her father remarried Ms. Frances Glasco (known to all as “Mama Frances”).
Willa attended Temple University in Philadelphia where, in addition to her studies in French and education, she joined the Alpha Kappa Alpha sorority and was one of Temple University’s first African-American cheerleaders. She also wrote a weekly column in the university newspaper entitled, “The Broome Sweeps Clean.”
After graduation, she became third-grade teacher in Philadelphia. During the summers of 1957-59, Willa earned her Masters of Education at Harvard University Graduate School of Education. It was at this time that she began courting Calvin Gidney, who would be her husband of nearly 40 years. She met him in her childhood in Newton, North Carolina, where they were both in the same third grade classroom. They wed in 1958. Billie and Calvin lovingly raised three children: Calvin Leroy (III) “Chip” , Craig Laurance, and Evan Lionel. Billie was immensely proud of her three sons, her daughter-in-law Tiffany Ricci (Gidney) and her grandchildren Calvin Lionel Gidney and Eleanor Shea Gidney.
After Calvin Gidney Jr. completed his Doctor of Dental Surgery at Meharry Medical College , the couple moved down to Washington, D.C., where Calvin set up a dental practice on Kennedy Street and Billie began working for the D.C. Public Schools, first as an elementary school teacher, and then as an administrator for the DCPS as the school system’s Cultural Coordinator. In this role, Billie oversaw cultural enrichment programs for the entire DC Public School system. She also managed to complete the coursework towards a Doctorate in Education (Ed.D.) at Nova University.
In addition to her many academic and professional achievements, Billie participated in many volunteer and social organizations. She served a couple of terms as the president of the Carter Barron East Neighborhood Association (CBENA), the neighborhood group she co-founded with Mrs. Louise Whitney. Her work with many local and national clubs including the Emeralds, the Arrowettes, Just Good Friends, Girl Scouts of America, and Christ Lutheran Church enriched the lives of many in the community.
Billie spent the last twelve years of her life living at Riderwood Village, a continuing care community in Silver Spring, MD. There, she took full advantage of the many opportunities for travel, learning, cultural enrichment, physical activities, and games (at which she excelled). She was a beloved member of the Riderwood community – loved and respected by residents and staff alike.
Billie had many talents and interests. She was a voracious reader, an expert bridge player, and an unbeatable Scrabble player. She was a musician – a skilled pianist and vocalist – a gift she shared with her sons Chip and Evan. She was a skilled orator and sometimes performed her own poetry. She was a talented and funny raconteur: her stories live on in the books of her son Craig. She was always impeccably dressed and had a flair for accessories; while at Riderwood, she would even adorn her walkers to the delight of other residents.
Billie was, first and foremost, a beautiful soul – kind, wise, smart, and gentle. She lived a marvelous and long life with grace and dignity. She touched all who knew her.
For the life of Willa B. Gidney, we are eternally thankful!
I wrote an appreciation of Philip Ridley’s novel, In the Eyes of Mr Fury over at The Lost Library: Gay Fiction Rediscovered Facebook page. Go over there and check it out!