MUSIC: Todd Tobias & Chloë March – Hauntology & Glossolalia.

Amialluma/ Chloë March and Todd Tobias

amialluma

A collaboration between musicians Todd Tobias and Chloë March, Amialluma is an album’s worth of atmospheric ambient music that desultorily drifts between a whimsical and eerie tone. All ten compositions have a distinct hauntological ambiance. The soundscapes have the feel of the soundtrack to a forgotten children’s movie. Music box melodies, echoed bell-like tones and 60s Sci-Fi sounds are woven together, mostly in a halcyon mood that gets disturbed by the occasional dark chord progression. March sings, purrs, trills, murmurs and chants words in an invented language that manages to be both soothing and disturbing, like a feral child raised by nature. The resulting suite (which is how it is supposed to be listened to) reminds of me of the work of the English band Pram, (who share a similar tonal palette crossed) with the Cocteau Twins at their most tranquil.

Queering Electronic Music

As much as I like traditional pop music and classic song structure, I love instrumental music. It’s the stuff that I write to, and that gives me ideas for fiction and scenes. The field of electronica and ambient is as white, straight and male as you can get, so it’s always a pleasure to find artists from marginalized communities appear on the scene. I recently discover two such artists that make electronic music that’s disturbing and beautiful.

Both Arca (Alejandro Ghersi ) and Yves Tumor (Sean Lee Bowie, or not!) are queer men of color who infuse their electronic sound collages with a queer sensibility. Their ominous soundscapes, combine subgenres like EDM, industrial and hauntology, both of them play with genderfuck in their performances.

Links:Arca

Yves Tumor