The ink is dry……My third collection, THE NECTAR OF NIGHTMARES, will be published by Underland Press in Spring 2022. It will feature my recent dark fantasy, weird and horror fiction. Thanks to Darin Bradley and Mark Teppo for acquiring the book!
Colleague and semi-local-to-me author Damien Angelica Walters has a new collection out. Some of the pieces I have read before they were collected in CRY YOUR WAY HOME (Apex Book Company). Walters’ delicate prose style belies the disturbing darkness at the center of her fiction.
From the back cover copy:
Sometimes things are not what they appear to be. DNA doesn’t define us, gravity doesn’t hold us, a home doesn’t mean we belong. From circus tents to space stations, Damien Angelica Walters creates stories that are both achingly familiar and chillingly surreal. Within her second short story collection, she questions who the real monsters are, rips families apart and stiches them back together, and turns a cell phone into the sharpest of weapons.
Cry Your Way Home brings together seventeen stories that delve deep into human sorrow and loss, weaving pain, fear, and ultimately resilience into beautiful tales that are sure to haunt you long after you finish the collection.
Includes the Bram Stoker Award-nominated story “The Floating Girls: A Documentary”
My rating: 4 of 5 stars
The specter of AIDS haunts this star-studded, themed collection which is set in the early 80s, just at the beginning of the AIDS crisis. The cast includes Keith Haring, Sylvester, the Reagans, Jackie O, and Little Edie Beale. The settings veer from New York Bathhouses to the Castro to Fire Island to the White House. The brief book exudes a unique mixture of camp and nostalagia, shot through with a prophetic melancholy.
Forthcoming Interview with the author….
My rating: 4 of 5 stars
Super Bass is a dense, ‘slice-of-life’ piece of fantasy fiction that’s also a love story. The prose is rich, sensual and deeply interior. It reminds of me of early Samuel R Delany, when he just throws you into an alien landscape and then challenges you to fill in the dots. The milleu has a vague Candomble feel, a lush tropical world where the gods inhabit/”possess” their chosen vessels, transforming them into supernatural healers. The story is about a consort to one of these god-vessels. Polyamory and same-gender relationships are the norm. The use of language reminds of me Kiini Ibura Salaam’s work.
“Love doesn’t take the burdens away, only makes them worth bearing.”
This is a ghost story, but done as a realistic family drama. Think Cheever or Franzen rather than Shirley Jackson or Stephen King. The ‘horror’ is the disintraging relationships. The emotional brutality and unrelenting prose probably what placed this story on this year’s World Fantasy Award ballot.