The enduring influence of “academic” racism

Posted in Uncategorized with tags , , on June 19, 2013 by Craig Gidney

Back in the early 90s I worked in a bookstore—one of the now defunct “superstore” chains. The store was located in Bethesda, on the border of Rockville, Maryland, just outside of Washington, DC. That area was then mostly populated by people who had participated in the “White Flight” migration of DC proper, leaving the District as a mostly black and, in three quadrants, lower middle class to poor city. At that time, The Bell Curve was published was a ‘controversial’ bestseller, rare for an academic book. (Bestsellers at that time included a diet cookbook written by Oprah’s personal chef and the first Dr. Laura self-help book). The clientele of the store was privileged, not only in material wealth, but also in attitude. Customer service and dealing with the public can be challenging and I have my share of war stories.

One particular story involves The Bell Curve. Having read Gould’s The Mismeasure of Man in college, in addition to being aware of the media storm that surrounded the book, I knew that it was pseudoscientific claptrap. An elderly woman sidled up to the Information Desk where I had been stationed. I was the only person not helping a customer, so she deigned to engage me.
“Excuse me, young man,” she said. “Do you know where the book The Bell Curve is?”
There was a stack of the book at the front of the store. I was about to show her where the requested book was, but she interrupted me: “That’s spelled ‘B-E-L-L space C-U-R-V-E.”
Did I hear that right? Did that patrician doyenne actually spell out the title for me, as if I were an illiterate, ignoble savage?
I would love to tell you that I went all Sarcastic Darky on her, shuffled over to the book, and said “Yes ma’am. De books be here. I ‘preciate you spellin it out fuh me. I’se not too good wit de letters!’
Alas, I did not. I needed the job, so I silently pointed her to the stack of books.

The allure of that book, which has been thoroughly debunked, still reigns supreme among the fringes in the Age of Obama. I see its influence in the circles where I associate. Most recently, the gay writer Andrew Sullivan gave credence, once again to the research of differences between the races and opined that racial differences were not unlike the difference between various dog breeds. Science Fiction and Fantasy Writer’s Association, an professional organization of genre writers (of which I am not a member) has been relentless attack by a member who subscribes to the theories laid out in the book (ostensibly to drum up interest in his mediocre fantasy fiction).

The point of my anecdote is show how such poisonous theories manifest in the real world. It isn’t about ‘censoring’ intellectual curiosity, which seems to be Sullivan’s interest in prolonging discussions about race. Rather, it is grist for the racist mill, a justification for treating people of color rudely. It isn’t a coincidence that the mediocre author is boorish and nasty in his attacks. Back in 2011, a principal who subscribed to white supremacist doctrines was unmasked, after spending years catering to a mostly minority population.

My anecdote at the bookstore is mostly humorous. Other people’s direct contact with this vile form racism is serious, and has lasting effects.

BEREFT is now available on Kindle!

Posted in Uncategorized on June 14, 2013 by Craig Gidney

BEREFT is now available on Kindle!

My YA novel about homophobia, racism and bullying is not available on Kindle. I will announce it when the book become available on other E-reader formats.

Muses: Henry Darger’s Portal to the Realms of the Unreal

Posted in Art with tags , , on June 12, 2013 by Craig Gidney

By day, Henry Darger was janitor. He’d had a hard life; he had been orphaned and raised in a Boy’s Home in Chicago. He spent his days doing menial work at a Catholic Hospital, and went home to a dank basement where he lived as a hermit. But in that basement, there existed another world, one that he created. Nights he created an imaginary world full of winged beings, child slaves and heroic princesses. He was writing a novel, an epic set on a magical world where good and evil clashed. This world was meticulously illustrated, with eerie murals created from paint and collage.  He is considered to be the ultimate example of an Outsider Artist.

darger1

The intensity of his vision is admirable. It was a burning passion, almost a madness. Darger was compelled to write and illustrate thousands of pages of this story, with no intention to publish. His work was only discovered after his death. There are times when, as writer, you feel that you’re just writing for yourself. For Darger, that was enough.

FICTION: Join Hands by C.L. Gidney at Wattpad

Posted in Uncategorized with tags , , , on June 11, 2013 by Craig Gidney

I have a short piece of homoerotic fiction up at Wattpad. It was written for a cancelled anthology about queer punks. It’s set in London and features cameos by Siouxsie Sioux and Sid Vicious. Enjoy Join Hands

siouxsie

Beyond 'Game of Thrones': Exploring diversity in speculative fiction

Posted in Uncategorized on June 10, 2013 by Craig Gidney

Reblogged from Hero Complex - movies, comics, pop culture - Los Angeles Times:

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Last August, Weird Tales magazine, long a fixture on the speculative fiction landscape, got hit with a heavy dose of online fury.

The publication had made plans to publish an excerpt from an ecologically themed dystopian novel in which whites are the oppressed minority and their oppressors are referred to as “coals.”

Those who attacked the work were upset by a number of elements seen as racially problematic, up to and including the title, “Saving the Pearls,’’ “pearls” being the book’s term for white people and a word read as charged with an altogether different tenor than the notion of “coals.” In response to the outcry, the magazine pulled the excerpt.

Read more… 1,260 more words

A great article about Authors of Color who write Speculative Ficton!

Guest Review: The Chaos

Posted in Uncategorized on June 9, 2013 by Craig Gidney

Reblogged from Crazy QuiltEdi:

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Title: The Chaos

Author: Nalo Hopkinson

Date: Margaret K. McElderry Books, 2012

Reviewer: Craig Laurance Gidney

In many ways, Sojourner “Scotch” is a typical teenager. She must navigate between her “good girl” persona when at home with her strict parents and her saucier persona at school, where she is a member of a hip hop dance crew. She has broken up with her boyfriend, and her (former) best friend is sniffing around him.

Read more… 522 more words

Here is my review of The Chaos, by Nalo Hopkinson, on Edi Campbell's blog.

Muses: The Wildean Aesthete of the Harlem Renaissance

Posted in Uncategorized with tags , , , , on June 8, 2013 by Craig Gidney

NUGENT 1

My story “Conjuring Shadows” was inspired by the Harlem Renaissance writer and artist Richard Bruce Nugent. As a writer, Nugent’s work was strongly influenced by modernism. It was highly elliptical and poetic. His most famous piece, “Smoke, Lilies and Jade” is a stream of consciousness mediation on art, racial and sexual identity. “Smoke, Lilies and Jade” is also a pioneering work of black gay writing. Nugent was also a painter and illustrator. His illustration work has the sinister eroticism of Cocteau’s scribbles, and the wicked decadence of Aubrey Beardsley, while his paintings are influenced by the Romantics.  Like Oscar Wilde, Nugent also penned retold Biblical tales and myths. Nugent was also born in Washington, DC, like yours truly.

Richard Bruce Nugent Website

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