3 stories by Craig Laurance Gidney on Great Jones Street!

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The fiction app Great Jones Street has reprinted three of my stories.

Magpie Sisters – a magical realist fairytale

Circus Boy Without A Safety Net – a coming out fable about a queer black boy and his love of Lena Horne

Strange Alphabets – a historical fantasy about the French poet Arthur Rimbaud

Celebrity Ghosts, 80s style: At Danceteria & Other Stories by Philip Dean Walker

At Danceteria and Other StoriesAt Danceteria and Other Stories by Philip Dean Walker

My rating: 4 of 5 stars

The specter of AIDS haunts this star-studded, themed collection which is set in the early 80s, just at the beginning of the AIDS crisis. The cast includes Keith Haring, Sylvester, the Reagans, Jackie O, and Little Edie Beale. The settings veer from New York Bathhouses to the Castro to Fire Island to the White House. The brief book exudes a unique mixture of camp and nostalagia, shot through with a prophetic melancholy.

Forthcoming Interview with the author….

NEW FICTION: Pestilence (Case Studies in Paranoid-Empathetic-Selective-Telepathy”

The rise and subsequent normalization of White Supremacy in this election season is the reason I wrote “Pestilence (Case Studies in Paranoid-Empathetic-Selective-Telepathy,” It’s a piece of flash fiction that deals with the new forms that racism has taken on in the current zeitgeist.

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BOOK REVIEW: The Incarnations by Susan Barker. An interstitial epic set in China

The IncarnationsThe Incarnations by Susan Barker

My rating: 5 of 5 stars

Spanning over 1000 years, The Incarnations starts in contemporary China and follows the life of a young taxi driver and his family. Wang Jun is the son of a former Maoist official whose mental illness and bisexuality estranges him from his already cold father and his manipulative stepmother. Wang Jun is married to a massage therapist and has a 10 year old daughter who aspires to be a comic book artist. The family lives in abject poverty, a stark contrast from the relative opulence of his upbringing. Wang Jun begins receiving anonymous letters addressed to him that recount in vivid detail the past lives he and the letter writer have lived, starting from the Bronze Age and up to and including the Cultural Revolution. The appearance of the letters begins to intrude into his family life in unexpected ways.
The prose style of the anonymous letters, addressed in the second person, are rich, (homo)erotic and flavored with folklore as well as historical accuracy. The contemporary scenes are beautiful rendered, full of carefully crafted characters and emotionally resonant vignettes. There is a wonderful tension between the modes of storytelling —psychologically acute portraiture and the epic, tall-tale style of the letters. This is an uncategorizable novel—historical and contemporary, magical and mundane.