There are two outright horror stories in Skin Deep Magic.
“Death and Two Maidens” is set in Victorian London, and is about the life—and afterlife of a young charwoman, Prothenia Jenkins. The tonality of the piece borrows heavily from penny-dreadful fiction (example: The Phantom of the Opera, Bram Stoker’s Lair of the White Worm). I won’t say more about it, because, as River Song from Doctor Who says, “Spoilers!”
“Sugardaddy” was inspired by a couple of things. The narrative convention, which is in the form of a young girl’s journal, is a homage to everything from Stoker’s Dracula to Alice Walker’s The Color Purple. I love the interiority of the technique, and the slow build rhythm. It is a tale that is partially about body horror. I have a couple of (well managed) chronic conditions. Before I was diagnosed, there was a sense of horror as my body began to behave in ways that were unpredictable and unpleasant. “Sugardaddy” was kind of cathartic to write, as I got used to the transformation.
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