Robert Levy’s supernatural thriller debut, THE GLITTERING WORLD is a sinister reinterpretation of the changeling child myth set in the ruins of a remote Canadian artist’s community. Levy is trained as a psychologist, and this insight into various mental states and disorders underpins the tightly-drawn character portraits. The story is told from four distinct view points, and the grounding in the ‘real’ world (hippy artist’s communes, 90s-era club scene, the professional lives of chefs and a working psychiatrist) makes the intrusion of the counterfactual more chilling.
Levy’s novel reminds me, tonally, of the movie UNDER THE SKIN. The works share themes of otherness—true otherness (think of Starfish Aliens)— existential despair and both works use the landscape-as-character (the highlands of Scotland in UTS, the Canadian wilderness in TGW) effectively.