I wrote an appreciation of Philip Ridley’s novel, In the Eyes of Mr Fury over at The Lost Library: Gay Fiction Rediscovered Facebook page. Go over there and check it out!
Editor Bogi Takács and Lethe Press have assembled another critically lauded anthology of speculative fiction that centers transgender characters. It features stories from some of my favorite authors (and colleagues), as well as newer voices.
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As with the first volume of Transcendent, Lethe Press has worked with a wonderful editor to select the best work of genderqueer stories of the fantastical, stranger, horrific, and weird published the prior year. Featuring stories by Merc Rustad, Jeanne Thornton, Brit Mandelo, and others, this anthology offers time-honored tropes of the genre–from genetic manipulation to zombies, portal fantasy to haunts–but told from a perspective that breaks the rigidity of gender and sexuality.
Table of Contents:
“Because Change Was the Ocean and We Lived by Her Mercy” by Charlie Jane Anders
“Skerry-Bride” by Sonya Taaffe
“Transitions” by Gwen Benaway
“This is Not a Wardrobe Door” by A. Merc Rustad
“Three Points Masculine” by An Owomoyela
“The L7 Gene” by Jeanne Thornton
“Rhizomatic Diplomacy” by Vajra Chandrasekera
“The Pigeon Summer” by Brit Mandelo
“The Road, and the Valley, and the Beasts” by Keffy R. M. Kehrli
“About a Woman and a Kid” by M Eighteen Téllez
“Sky and Dew” by Holly Heisey
“The Nothing Spots Where Nobody Wants to Stay” by Julian K. Jarboe
“Lisa’s Story: Zombie Apocalypse” by Gillian Ybabez
“Happy REGARDS” by RoAnna Sylver
“The Way You Say Good-Night” by Toby MacNutt
“Her Sacred Spirit Soars” by S. Qiouyi Lu
I’m in the middle of Silvia Moreno-Garcia’s mannerpunk novel in preparation for an author interview. The Beautiful Ones (St. Martin’s Press), released this week, is quite different from Moreno-Garcia’s contemporary work. I’d describe it as Vanity Fair with telekinesis. Manipulation is the major theme: of objects, and of feelings. The imaginary country the author conjures has elements of the Belle Epoque-era France; you can see the ormolu clocks, rococo architecture and hear the frou-frou rustle of silk. It’s billed as “romantic” but a Machiavellian undercurrent of social climbing runs through the novel. Plus, kudos for the allusion to a Prince song.
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Antonina Beaulieu is in the glittering city of Loisail for her first Grand Season, where she will attend balls and mingle among high society in hopes of landing a suitable husband. But Antonina is telekinetic, and strange events in her past have made her the subject of malicious gossip and hardly a sought-after bride. Now, under the tutelage of her cousin’s wife, she is finally ready to shed the past and learn the proper ways of society.
But Antonina, who prefers her family’s country home to the glamorous ballrooms of the wealthy, finds it increasingly difficult to conform to society’s ideals for women, especially when she falls under the spell of the dazzling telekinetic performer Hector Auvray. As their romance blossoms, and he teaches her how to hone and control her telekinetic gift, she can’t help but feel a marriage proposal is imminent. Little does Antonina know that Hector and those closest to her are hiding a devastating secret that will crush her world and force her to confront who she really is and what she’s willing to sacrifice.
My interview with Theodora Goss, author of The Strange Case of the Alchemist’s Daughter, is now up at the Washington Independent Review of Books.
At first glance, Theodora Goss’ debut novel, The Strange Case of the Alchemist’s Daughter, is a mash-up genre novel in the vein of the TV show “Penny Dreadful” or the graphic novel The League of Extraordinary Gentlemen. The cast Goss works with includes cameos from iconic characters from classic gothic fiction and the mystery plot concerns the gruesome murders of women in the backstreets of London.
However, The Strange Case of the Alchemist’s Daughter is multi-layered and much more subversive than the “elevator pitch” blurb might lead one to believe.
Read the rest here!
Tor.com featured the Dim Shores’ Weird Fiction anthology Looming Low as one of the recommended 5 Horror Reads for Fall. My story “Mirror Bias” (referred to as “Mirror App”) gets a brief shout-out.
Looming Low, which features a who’s who of newer Weird Fiction authors, is now available as an eBook.
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Over cocktails an executive describes to a friend the disturbing history of a strangely potent guardian angel. A young mom tries to perfect and prolong her daughter’s childhood with obsessive parenting. A critic’s petty denouncement of an ingénue’s performance leads to a theatrical night of reckoning. A cult member makes nice for a parole board hearing years after committing an infamous crime.
A multiple Shirley Jackson Award nominee, S.P. Miskowski serves up an uncompromising collection of thirteen modern tales of desire and self-destruction. Strange is the Night offers further proof that Miskowski is—as Black Static book reviewer Peter Tennant notes—“one of the most interesting and original writers to emerge in recent years.”
My colleague Darin Bradley has a new collection of short fiction out this week– intriguingly entitled Light Both Foreign and Domestic (Underland Press). Bradley writes intellectually rigorous speculative fiction, informed by acute sociopolitical analysis and his background in literary theory. I interviewed him a few years ago.
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Over the last decade, Darin Bradley has been dissecting the future—from the prophetic Book that heralded the arrival of Salvage Country in Noise, to the impending repossession of our education in Chimpanzee, to the harrowing world of voyeuristic terrorism in Totem. Now, with Light Both Foreign and Domestic, he presents a collection of stories that reveal the persistent light of the human spirit, no matter the harrowing darkness that presses down on us.