My short story “Fur & Gold” is now available. A fairy tale inspired by Bat for Lashes, Jean Cocteau and Jean Genet

It began with music. Most of my fiction does. I am an unabashed, full fledged music geek. You can tell that from the music reviews I sprinkle throughout this site.

Anyway, the title “Fur & Gold” is the title of a song by Bat for Lashes, the musical project of Natasha Khan. The song is about something else, but the image is so evocative, that I immediately thought of the fairy tale “Beauty and the Beast.” That fairytale was the basis for a beautiful film by the French artist & poet Jean Cocteau. Cocteau produced a dreamy, dark-tinged fairytale movie that adheres to the original. Cocteau is also known for his frankly homoerotic pen and ink drawings. From many accounts, Cocteau was in love with the actor Jean Marais. So I had an idea of realizing the homoerotic tensions felt by Marais and Cocteau in this version. The first image that came to me was of a miraculous rose. Roses figure in the transgressive work of experimental writer Jean Genet.

Fur & Gold combines all of these influences. I hope that you enjoy it. Thanks to Thomas Drymon for the spectacular cover art!

The eBook short is available world wide in the Amazon Kindle shop. ePub and iBook editions will be available shortly!

facebook author cover

Announcing the ‘Variations’ series of dark fairytales by Craig Laurance Gidney

First, some unpleasantness.

In many ways 2013 and the first part of 2014 has not been a good year for me. In September, I was diagnosed with Diabetes Type 2, which I suspect I had earlier. But, since I was uninsured, I hadn’t seen a doctor in over 2 years. Through a change in my diet and an exercise regimen, I have gotten much better. I’ve lost over 20 pounds and now sport some nice glasses. In addition to the Honey Fountain (the Latin name of diabetes mellitus), I also have a wicked case of nasal polyps; I basically can’t smell a thing, and have constant sinus infections. I’m in the process of dealing with this issue—the gears of getting the surgery are starting. Thank God, I’m finally insured. However, these various appointments has led to missing some days at a day job, and recovery for the surgery usually takes a week.

Now, for the good news.

I have decided to self-publish a series of thematically connected short stories. They are dark, homoerotic fantasies that draw on fairy-tale motifs. At the end of the series, I plan to publish a chapbook containing all of the stories,with the help of the DC Public Library’s Espresso Book Machine technology. The idea is not only to test the waters of self-publishing/eBooks, but also drum up interest for my traditionally published collection that’s coming out in this summer.

I’m asking for readers to help spread the word about the series (called ‘Variations’). And, of course, buy and read the pieces when they come out.

Photo by Ellen Datlow
Photo by Ellen Datlow

MUSIC: Marissa Nadler & Suzanne Vega. Sirens of Folk-Rock.

Suzanne Vega: Tales From the Realm of the Queen of Pentacles

Vega

The new Suzanne Vega album is built around a tarot theme. The Knight of Wands, the Fool, and, of course the titular Queen of Pentacles appear in this collection. There are also off-cycle songs, including a retelling of a Biblical story (“Jacob and the Angel“). Vega often gets accused of making the same album– steely, aloof singing and gentle folk with rock and electronic flourishes.  The real star, of course, her lyrics. Vega is one of the true poets of pop music, and each song has meticulously crafted language, full of wit and beauty. Vega’s voice treats each phrase as if it were a precious jewel. Her melodies never meander; she has a healthy respect for form. TFTROTQOF, like all of Vega’s work, make me feel like I’ve finished reading a deckle-edged short story collection, set in an elegant serif font.

Marissa Nadler: July

02-12-Discs-Marissa-Nadler-July

The doom-laden folk of Nadler conjures up images of ghostly girls, garbed in diaphanous lace gowns, old Victorian houses mouldering in ruin, and faded, sepia-tinged daguerreotypes.  The songs, even those set in the present day, are full of expertly culled minor keys, reverbed guitars, and her lush mezzo-soprano voice. Her lyrics are literate, but they are not the point. The point is the sultry funereal atmosphere. It’s a dark jewel of an album.

BOOK REVIEW: Alif the Unseen by G. Willow Wilson. Wonder, awe and revolution.

Alif the UnseenAlif the Unseen by G. Willow Wilson

My rating: 4 of 5 stars

“Wonder and awe have gone out of your religions. You are prepared to accept the irrational, but not the transcendent.”

Alif the Unseen is not just one kind of novel. It starts out as cyber-thriller Neal Stephenson kind of novel and turns into a Neil Gaiman styled fantasia involving the world of djinn. But that’s just the plot. It’s multi-layered, with treatises on religion and politics. In fact, I would say the novel is as much a political allegory–a kind of magical version of the “Arab Spring” revolution–as it is a fantasy adventure. It’s a novel about liminality: between the West and the East, the seen and the unseen, religion and the supernatural, the sacred and the profane.

It’s a novel full of humor and has a rapid, quick-fire plot that never lags. But when it does slow down, there are moments of “wonder and awe” that take your breath away. My favorite sentence:

“As he slipped deeper into sleep, he heard her begin to sing: a soft, wordless cat-song of love gone and children grown, trilling and sad.”

Alif the Unseen is a rare novel that manages to work on the “brain-candy” level and on a deeper level.

TOC for SkinDeepMagic, my forthcoming collection of short fantasy fiction featuring Black/African-American characters.

Skin Deep Magic Cover TOC

1. Pyschometry, or Gone With The Dust

2. Sapliing

3. Mauve’s Quilt

4. Lyes

5. Conjuring Shadows

6.  Zora’s Destiny

7. Death and Two Maidens

8. Sugardaddy

9. Inscribed

10. Coalrose

Skindeepmagic will be published by Rebel Satori Press.

STORY REVIEW: A Rumor of Angels by Dale Bailey. Magical-realist Americana

A Rumor of Angels: A Tor.Com OriginalA Rumor of Angels: A Tor.Com Original by Dale Bailey

My rating: 4 of 5 stars

The real star of this moody tale is the evocative, immaculately crafted language. At its heart, this is a simple tale that sets a coming-of-age story against the Great Migration during Dust Bowl days. The fantasy element, while essential to the story, is slight and belongs in the Magical Realist tradition of Ray Bradbury. The sense-of-place piece recalls the work of Willa Cather and John Steinbeck.

Winter’s City: The photography of Colin Winterbottom

Today, Washington DC is mantled in snow. The world is chiaroscuro, in tones of grey and white. It looks like a photograph by Colin Winterbottom.

Winterbottom

Winterbottom captures DC’s architecture in his photographs. The city becomes a gothic landscape through his lens. The photographs are full of statues, fountains, columns, plinths, cornices and monuments. He chronicles the secret history of my hometown with images made of shadow and light.

In addition to capturing the more iconic touchstones (the Capitol, and the Monument), there is also a nod to the DC’s esoteric places. Abandoned buildings and cemeteries tell their stories to the viewer. There’s a series he’s done on the legendary mental hospital, St. Elizabeth’s—a place where my father did his internship.

DC is his muse, but it’s not his only subject. There are also studies in color (the luminous jewel toned stain glass of the Cathedral) and the abstract images that studies of rust and decay.

MUSES (#blackhistory edition): Moms Mabley, Patron Goddess of the Chiltin’ Curcuit.

The story is that my Aunt Dee went into labor during a Moms Mabley show in Washington, DC. It’s not hard to imagine that, since Mabley was so damned funny.

Jackie "Moms" Mabley
Jackie “Moms” Mabley

I love listening to recordings of her comedy bits. She was one of the queens of the Chitlin Curcuit. She appeared on stage dressed as a frump, in a brightly patterned, tacky nightgown ensemble, and crowned with a cap. She took out her fake teeth and spoke, flapping her gums. Her comedy was in the storytelling mode–raunchy, ribald, and full of witty anecdotes. Listening to her speak is a window in black life in the 20th Century.

Like many comedians, her personal life was more than full of its share of pain. But in spite of (or in some cases, because of) the significant hurdles she faced as an African-American who grew up in the Jim Crow South, as a survivor of sexual abuse, and as a lesbian, she mastered the art of comedic storytelling.