Cover Reveal for the Outer Dark Symposium on the Great Weird chapbook

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Here’s the TOC:
Cover by Mark Bode
Nonfiction
African American Folklore, Magical Realism and Horror in Toni Morrison’s Novels by Sumiko Saulson
Mining Dark Latino Folklore by David Bowles
Fiction
Hard As Stone – Daniel Braum
Art by Dave Felton
Black Treacle by Craig L. Gidney
Art by Liv Rainey-Smith
The Lake Children by Izzy Lee
Art by Sumiko Saulson
Worm of Poe by John Foster
Art by Liv Rainey-Smith
The Baby in the Forest by Eric Schaller
Art by Paul Mavrides
The Last Plague Doctor by Rebecca J. Allred
Art by Jeanne Maskmaker

Available exclusively to attending and supporting members: https://igg.me/at/theouterdark2018 

(Tickets and supporting membership are still available!)

SIGNAL BOOST: Indiegogo Campaign for the Outer Dark

The Outer Dark is running an Indiegogo Campaign to help fund its second annual Symposium on the Greater Weird on March 24. There are many MAGNIFICIENT rewards to those who contribute.

From their website:

The Outer Dark Symposium on the Greater Weird is the world’s only conference focusing on contemporary Weird fiction, film and art. The 2nd annual symposium will gather more than 25 writers, artists, filmmakers & editors on March 24, 2017 at Winchester Mystery House in San Jose, CA., one of the USA’s Weirdest places. Hear all the readings and panels on The Outer Dark podcast, which airs on This Is Horror, reaching thousands of listeners who are readers of Weird and speculative fiction.

OD 2018

 

BOOK RADAR: “Strange Is The Night” by S.P. Miskowski

Critically acclaimed weird/horror S.P. Miskowski has a new collection out from Journalstone, called Strange Is the Night.   Miskowski has been nominated for the Shirley Jackson Award many times.

 

Strange is the Night

BACK COVER COPY:

Over cocktails an executive describes to a friend the disturbing history of a strangely potent guardian angel. A young mom tries to perfect and prolong her daughter’s childhood with obsessive parenting. A critic’s petty denouncement of an ingénue’s performance leads to a theatrical night of reckoning. A cult member makes nice for a parole board hearing years after committing an infamous crime.

A multiple Shirley Jackson Award nominee, S.P. Miskowski serves up an uncompromising collection of thirteen modern tales of desire and self-destruction. Strange is the Night offers further proof that Miskowski is—as Black Static book reviewer Peter Tennant notes—“one of the most interesting and original writers to emerge in recent years.”

The Great God Pan, an Opera in 2 acts, by Ross Crean

A week or so ago, a Facebook friend of mine in the composer world shared an image of CD he’d recently received, called The Great God Pan: An Opera in 2 Acts. I ended up chatting with Ross Crean, the composer of the opera based on Arthur Machen’s work. I had just come home from NecronomiCon, where there was a panel on Machen’s work. I missed that panel, but people who had attended mentioned that a panelist spoke about the “psychedelic nature” imagery that shows up in Machen’s work.

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Crean’s opera uses unorthodox instrumentation (prepared piano) to bring Machen’s trippy masterpiece to life.

Link: Lovecraft’s Legacy by Paul St. John Macintosh

Over at Greydogtales, a weird fiction blog, author/critic Paul St. John Macinktosh has an essay that examines the latest kerfuffle in the weird fiction community. (Lovecraft’s racism and the legacy of his fiction in many ways mirrors the current culture war over Civil War monuments). In the essay, he highlights POC writers (N.K. Jemisin, Victor Lavalle) who subvert/revise/challenge the subtextual xenophobia in HPL’s work in addition to calling out the denialism/minimizing that many aficionados use.

If there was a huge racial component to Lovecraft’s definition of “unknown,” then you could almost read into such remarks a frustrated longing to engage with other unknown peoples, as much as fear and distaste towards them. That’s as plausible an interpretation as any claim that Lovecraft’s mature work is some kind of systematic dog-whistling for underlying racism, with Deep Ones and ocean-going cultists standing in for black Americans and Catholic immigrants.

Link: Lovecraft’s Legacy