I suspect that a great many readers will not appreciate the dense language and the non-linear structure a this loose prequel to Borne. Borne, for all of its hallucinogenic qualities, has a fairly straight forward plot that could be turned into a film, albeit one by Jodorowsky. Dead Astronauts, though, revels in its textuality. It can’t be filmed. Though it’s an ecological science fiction novel that plays with theoretical concepts like Time Travel and parallel Earths, it operates with dream logic. Vandermeer plays games with typography (though not in a House of Leaves way; it’s more like the beginning of Toni Morrison’s The Bluest Eye with its use of repetition and claustrophobic line spacing) that underscore the surrealistic nature of book. The novel—prose poem?— is closer tone to Delany’s DHALGREN or even Lautremont’s Le Chants de Maldoror. This kind of visionary writing—full of beautiful nightmarish imagery—is one of my favorite forms of fiction. I hope it finds the right audience.
I had a great time at Necronomicon in Providence, Rhode Island this past weekend. I caught up with old friends, and met new ones and did my best not to break the bank with all of the various artwork in the dealer’s room. While I am not particularly a Lovecraft fan, I am huge fan for Weird Fiction itself–both contemporary and historic.
I was on two panels this year. Both of them were recorded for the Outer Dark podcast, and should be up in the near future.
The Weird Fiction in the African Diaspora was equally illuminating–my fellow panelists offered a plethora of passionate viewpoints. We talked about how the various tropes of Cosmic Horror are transformed through a black/African-descended lens.
My story “Underglaze” is in the forthcoming anthology Nowhereville: Weird is Other People — Tale of the Urban Weird (Broken Eye Books; TBD). Editors Scott Gable & C. Dombrowski have assembled a top-notch roster of artists, including Maura McHugh, S.P. Miskowski, Ramsey Campbell, Kathe Koja, Erica L. Satifka, Nuzo Onoh, Lynda E. Rucker, P. Djèlí Clark, Cody Goodfellow, Wole Talabi, Stephen Graham Jones, Mike Allen, Jeffrey Thomas, R.B. Lemberg, Evan Peterson, and more.
The third annual Outer Dark Symposium on the Greater Weird occurred last weekend. It was a confluence of readings, panels, and academic presentations all held in a special effects studio in Atlanta, under the watchful gaze of silicon monsters. Attendees came from all parts of the country, as far away as Hawaii. The readings spanned the entire cosmos of Weird Fiction, from the absurd to creepy to literary and all points in-between. The lively panels were full of passionate participants.
I have no idea where my own fiction fits in this constellation but it definitely has a home, embedded there amongst the other dark stars. In fact, I pitched A SPECTRAL HUE at last year’s symposium (check the acknowledgements of the book). Thanks to everyone who had a hand in organizing this event.
Till next year!
A few of the other attendees (Silver Scream FX Lab)
I’m really enjoying this novel, which would best be described as New Weird fiction. The world is dank and decayed and full of factions with really odd nomenclatures. The mood is one of the blackest gallows humor. The magic (here called ‘enchantments’) is bloody and messy. But don’t be fooled by the baroque grotesqueries. This is a character driven novel, full of memorable weirdos, such as a knife-crazy poppet, a drugged addled transman, and a mysterious trans enchantress who has a dead bear as a sidekick. It’s funny, gross and full of dark wonder.
Forget the Sleepless Shores by Sonya Taaffe
Taaffe and I run in the same circles but it was only last year that I found out that she is a massive Tanith Lee fan. Her new collection was graciously sent to me by Lethe Press (the publishers of my debut). I’m not far into this large collection of short fiction, but Taaffe has a dense opiated prose style (reminiscent of Lee), and her plots mines darker mythopoetic tropes. It’s rich writing, something to be savored.
Here’s the TOC:
Cover by Mark Bode
African American Folklore, Magical Realism and Horror in Toni Morrison’s Novels by Sumiko Saulson
Mining Dark Latino Folklore by David Bowles
Hard As Stone – Daniel Braum
Art by Dave Felton Black Treacle by Craig L. Gidney
Art by Liv Rainey-Smith
The Lake Children by Izzy Lee
Art by Sumiko Saulson
Worm of Poe by John Foster
Art by Liv Rainey-Smith
The Baby in the Forest by Eric Schaller
Art by Paul Mavrides
The Last Plague Doctor by Rebecca J. Allred
Art by Jeanne Maskmaker
The Outer Dark Symposium on the Greater Weird is the world’s only conference focusing on contemporary Weird fiction, film and art. The 2nd annual symposium will gather more than 25 writers, artists, filmmakers & editors on March 24, 2017 at Winchester Mystery House in San Jose, CA., one of the USA’s Weirdest places. Hear all the readings and panels on The Outer Dark podcast, which airs on This Is Horror, reaching thousands of listeners who are readers of Weird and speculative fiction.
Critically acclaimed weird/horror S.P. Miskowski has a new collection out from Journalstone, called Strange Is the Night. Miskowski has been nominated for the Shirley Jackson Award many times.
BACK COVER COPY:
Over cocktails an executive describes to a friend the disturbing history of a strangely potent guardian angel. A young mom tries to perfect and prolong her daughter’s childhood with obsessive parenting. A critic’s petty denouncement of an ingénue’s performance leads to a theatrical night of reckoning. A cult member makes nice for a parole board hearing years after committing an infamous crime.
A multiple Shirley Jackson Award nominee, S.P. Miskowski serves up an uncompromising collection of thirteen modern tales of desire and self-destruction. Strange is the Night offers further proof that Miskowski is—as Black Static book reviewer Peter Tennant notes—“one of the most interesting and original writers to emerge in recent years.”